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I think it's a wonderful exercise to speculate on what Frederic Church would have noticed and taken in while strolling through Olana. Your use of ICM allows us to filter out modernity and somehow channel the past more directly. Frederic Church considered Olana to be his artistic masterpiece and you honor his work by looking at the totality of this place, beyond just the house. It's highly likely you were creating photographs under and around trees he planted - time is a flat circle in those moments! Looking forward to part 2!

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